HER GOLDEN HOUR
Emporwering woman anu kuat mantap pokona mah ieu cewe-cewe nu berbakat carita na mah
Emporwering woman anu kuat mantap pokona mah ieu cewe-cewe nu berbakat carita na mah
Amanda Shafira lilts past the morning mist at her family's stables in Bandung, boots echoing softly on dewy grass. The sun peeks over the hills as she leads her favorite horse, a spirited bay mare, into the paddock. There's a familiar calm in the air whenever Amanda dons her riding helmet and mounts — her world narrows to rhythm: breath, reins, hoofbeats.
Under her gentle guidance the mare arches into a smooth canter. With each stride, Amanda and horse seem to speak a silent language forged through days of training and trust. Locals often spot them practicing dressage movements, their posture precise yet flowing—Amanda’s elegance reinforced by unwavering focus and dedication
Quirina Trea, born in Bandung on 10 August 2009, shines as one of Indonesia’s rising junior tennis stars, balancing adolescence and ambition with poise and perseverance.
Earlier in 2024, Quirina clinched the National Junior Tennis Championship (TDP IMTC‑Kemhan II) title in the U‑16 girls’ singles division, showcasing her consistency and competitive edge.
In May 2025, she stepped onto the international stage as part of Indonesia’s squad at the Junior Billie Jean King Cup in Shymkent, Kazakhstan. Though young and still gaining experience on clay courts, her participation helped Indonesia maintain its place in Asia/Oceania competition.
In the heart of Jakarta’s bridal world, Christie Basil listens—not just to her clients, but with them. She draws inspiration from their cultures, journeys, and dreams, transforming each bride’s narrative into delicate embroidery, silhouette.
From her grandmother’s tender sewing lessons to building brands like Atvezzo and By Christie Basil, Christie has made storytelling her signature. During the pandemic, she pivoted gracefully—sharing behind-the-scenes design tutorials on TikTok and sparking global interest in her wedding gowns.
In her Jakarta studio, Nurul Aulia Sari—born in Solo in 1997 and currently crafting ceramics in the capital—molds more than clay; she shapes feelings. A graduate of ITB’s Visual Art Department, she learned early that emotion and form can become one in three‑dimensional art.
Her Instagram, @vermilionwitch, is a window into this world: presses of thumb and coil, kiln-fired ceramics emerging like small revelations, and handwritten notes about the emotional intent behind each piece. Followers discover how each vessel embodies both vulnerability and resolve.